Revelations

Four months ago, I moved out. On the surface it seems a little unusual to me that I haven't really written anything truly substantive about the transition up until this point. At the beginning I thought this site could end up turning into a weekly play-by-play of how things were coming along, but thankfully it didn't turn out that way. Perhaps how smooth and uneventful the process has been meant I wasn't preoccupied with my immediate circumstances. There also may have been a part of me that was waiting for some sort of grand revelation, a moment of self-realisation where I came to terms with what the meaning of this all was. I didn't have such a moment.

Maybe that fact is some sort of epiphany in of itself. It's been exciting, it's been enlightening, but it hasn't been profound and that's okay. It might be a great thing, actually.

All of that is not to say I haven't learnt anything, because I have. A lot of important lessons have come up in the past four months, and I'm continue to figure out new things about myself each and every day. In lieu of any grand realisation, there have been many small lessons. And so it is that I attempt to put together descriptions of a couple of these lessons here. Make of them what you will.

It seems to me that moving out has led me to a live a life that is a purer expression of who I am as a person. This might seem obvious, simply a roundabout way of saying that I can do what you want, but I think it's more nuanced than that. It would be unfair on my parents to say that they imposed many restrictions on the way that I lived when I was at home because in reality they did not. It does seems to me that though that there is a tendency to for me to gravitate to some sort of set of default behaviours and standards. This cuts both ways. In the ways that I am naturally relaxed, I am more so. Similarly, the areas in which I am uptight and obsessive, I tend to be more aware of that too.

When I was younger, I never thought of myself as a particularly neat person. I never felt I was particular diligent when it came to being organised either. It does therefore seem strange to me now that I feel as though I really place as much value on cleanliness and order in my home environment as I currently do. It's certainly not a bolt out of the blue, because I was probably heading in this direction before I moved, but now that I have more control over more aspects of my environment it has become obvious that I do value these things.

This leads to my second point. Reality check time: you are probably more like your parents than you care to realise. What I mean by 'parents' here is the person or people who raised you; your guardians, whoever they might be. As young adults we tend to think of ourselves as substantively different people to those who raised us, but we aren't. The way I see it, this is bad news for uppity young folk and somewhat of a relief for parents. It's certainly a reason to persist with teaching important lessons to children may seem to be ignoring at the time: eventually it will sink in.

For example, unless I immediately plan on returning to a room, I turn the light off. That's my Dad's thing. 'One day you'll be paying for that,' he said. It turns out that that isn't what motivates me to turn them off at all; instead it's the force of habit, a general distaste of wastefulness and a desire to care for the environment that make me do it. I hang my shirts upside down by the seams like my mother showed me. In general I seem to care about a lot of the same things they care about and fuss about the things they fuss about. I am not the same person as either of them, but I am most definitely of them.

Living with someone new gives you an opportunity to reflect on the residual habits of life that might seem odd to other people. So many times either Shaun or myself will be doing something and ask one another 'why do you do it like that?' It's most often him saying things like this to me, honestly. Sometimes he'll suggest a different way to approach something that I will either adopt, consider or pass up. Whichever I choose, it's always an opportunity to reconsider certain habits and behaviours that become actions we perform unconsciously. Even if the actions seem trivial in nature, the process of reassessing and making a decision is not. We should all be looking for opportunities to get better each and every day, and the moment that you accept you do something one way simply because that's the way you do it is the day you close the door to self-improvement. There can be no avoiding carrying our past with us wherever we go, but we should be able to let elements of it go when it is necessary.

I think these observations are not simply about moving out. In reality, they could apply when we talk about any transition that involves moving your own rules, priorities and values to the top of the stack. Life as an individual means you are ultimately accountable for your own behaviour. Whatever advantages and disadvantages this carries with it, the transition has to occur at some point. I feel as though it is best to embrace this idea of ultimate accountability sooner rather than run from it. These last four months have been wonderfully eye-opening. I look forward to sharing whatever else I learn as I wander further down this path with you all.

Motivations

I want to talk about motivations.

People talk a lot about motivation. but the way that word is used is a lot different from my idea of motivations. To say someone has no motivation is to say that someone doesn't seem to want to do something that one might expect of another. A parent might use it in relation to a child that won't study for an exam. A coach might say it about an athlete with natural ability who does not seem to be willing to commit to a regular training schedule. But I don't think that understanding of motivation is an actual thing.

Our motivations are complex and multifaceted. They are the feelings and responses we desire, either consciously or subconsciously. Because there are many of them, they can sometimes be in conflict and pull us in different directions. I suspect that they run extremely deep into each of our beings and because of this, they can often be difficult for us to articulate. Nevertheless, I want to attempt to try to give some sense of what my motivations are and where I think they need to go.

I have two areas of creative focus in my life. You are engaging with one of them right now: my writing on this site. The other area is music, which I have talked about here quite often. It's my motivations to do these things that are particular interest to me right now. Why do I write? Why do I play? What exactly is it that I want to get out of these things?

The process of sharing your creations with others brings with it an inherent element of egotism. By showing another person something that you have created, you are implicitly saying that you believe that it may be of value or interest to that person, at least enough to justify interrupting their lives for however long it might take to share something. This might be an uncomfortable reality to some creative people. Some might feel like ego may not appear to be a factor in their creative process, but this only stays the case as long as those paintings remain hidden in the basement. From then on, it's about you.

I admit that this is something I have yet to fully come to terms with, even after I had this realisation. I aspire to be a humble, polite and conscientious person across all areas of my life; how successful I am in this regards is for others to judge. Often I feel like I should treat my creative pursuits like the person tucking their paintings away in the basement. Why should I interrupt someone, whose precious time is of equal value to mine, to share with them something I have created?

A tension that exists within me is with this instinct and the other part of my creative personality, an egotistic side I've always had. I happen to think I'm really good at some of this stuff. I'm not deluded enough to think that I'm the best writer or musician in the world, but I feel like I'm as good as a lot of other people who give themselves those titles. For a time I was stuck in an interesting but debilitating vacuum of trying to come across as really good at these things but not really having the discipline to do the work in order to justify this self-belief.

The other factor in all of this is that I feel as though I have often actively (if not consciously) sought the approval of people who I feel are important in my life. Whether it was someone who I cared about, admired or was jealous of, I feel that there is a element of my personality that could be described as needy. Again, a curious flip side of this is that I've always had a fiercely independent streak and a capacity to self-sustain in different situations and at different times, which I believe to have served me well over my life. These two traits may not be mutually exclusive but they certainly are interesting to contrast against one another.

I'm sure that we all have different aspects of our personalities and motivations that are seemingly in conflict. The way to prevent these tensions from becoming overwhelming might just lie in our ability to balance them against one another and walk a middle path, rather than pretending we can find a trick that will make them go away forever. It seems that the right path for me is to find a way to be comfortable demanding the attention of others without being in need of their approval. Any quest motivated by a desire for external validation is going to eventually become problematic in some way. It seems to me that answers to these questions that we have about ourselves must be found within, because we're the only ones who know exactly who we really are and why we want to do the things that we do.

Tom Morello's Tweets

One of my all-time creative idols is Tom Morello. While he is definitely most famous for being the guitarist in pioneering rap-rock group Rage Against The Machine, it turns out there are many other things about his story that make him worth listening to. He also has a really distinct and heartfelt approach to his creative philosophy which I try to learn from each and every day. He speaks to the idea that you can do something great with the tools you have with you, and that creativity and insight come from focusing on what you're making rather than obsessing about what you're making it with.

He's been on a roll on Twitter the last couple of weeks. Since a lot of his insights fit the topics I discuss here I figure they are worth sharing. The tweets I'm going to highlight are short responses to questions he receives from his followers. Sometimes it's amazing how much he can convey with as few as a dozen characters.

ON PLAYING AND LEARNING GUITAR

@tmorello: "@CrossbonesBand: Tom, How do you practice Penetonic scales on Electric?" Deftly.

Oh yeah, he's pretty funny as well.

@tmorello: "@spencergrow1: How do I become a better guitar player?" Stop tweeting and start practicing.

@tmorello: "@segunsazo: Best guitar smasher?." If u smash ur guitar it only counts if u can't afford another one.

@tmorello: "@DKLopez17: Did your shredding techniques develop whilst attending Harvard, or in LA?" Majored in PoliSci and shredding. No sleep, no party

What a champion.

@tmorello: "@JCT1980: do you ever write riffs angry?" Riffs, like revenge, are a dish best served cold

ON CREATIVITY

@tmorello: "@Gtwoby2: 1 piece of advice 2 young people who think drugs go hand in hand with rock n roll or making music" I never even smoked a joint

@tmorello: "@xRestrepox: Do you see "shame" on being a rhythm guitarist? What do you think?" Ask Malcolm Young the baddest badass in Badass Town

This one had me laughing like an idiot to myself at work when I read it. For those of you who don't know who Malcolm Young is, he's the rhythm guitarist for AC/DC, brother of the more famous lead guitarist, uniform-wearing Angus Young. The way I see it is that Malcolm does a lot of the songwriting and holds the whole thing together while Angus laps up the attention, spins around on his back and plays blues solos.

@tmorello: "@SCarigiet: Did you have to mod you digitech whammy or was it good out of the box." It was bad out of the box and that was perfect for me

I love this one. The Digitech Whammy is an effect pedal that Tom used to create some insane sounds on many of the biggest Rage and Audioslave songs. My favourite example is probably the solo from Audioslave's 'Like a Stone' It's a fundamental part of his sound. I bought one years ago to rip off all his riffs and solos and I can assure you that he's right. They are terrible. The trick for Tom was to use this fun but ridiculous pedal to make sounds that no one had heard before. And he did.

@tmorello: "@jmitch_88: Do you have your first guitar still and if so, what is it?" A Kay guitar. $50. Untunable SG knock off. Still have it, proudly

@tmorello: "@SGguy13: I'm having trouble starting a band. how did your first one come to be?" 4 dudes in highschool drama club with nothing to lose

@tmorello: "@AnAverageCat: Any better feeling than being on stage in front of thousands rocking out?" Being onstage in front of 500 pindrop silent

@tmorello: "@JonnyFoss10: Favorite guitar Brand?" Makes no difference whatsoever

I wish I was more like this.

@tmorello: "@Eliphas8: When did you reach the Punk half life and artistically decide to do the nightwatchman" 2002, time to sing my own damn song

@tmorello: "@M_ballard1: who most influenced you as a guitarist?" 1973 Triple Crown Winner Secretariat. Don't be the best, destroy the sport

This one is easily my favourite. I had to look this one up to find out who Secretariat) was. Secretariat won the Triple Crown, a series of three important horse races in the United States, in 1973. He won the first two races coming from last place to win by more than two lengths each time. In the third race, he won by more than twenty lengths. He sat track record times in all three races, one of which still stands today.

What Tom is getting at here is that even being a little bit better isn't enough in many cases. It just might be that trying to compete with people who are good at something on their own terms might be a waste of energy. It might be more effective, particularly in creative endeavours, to spend your time and effort on doing something profoundly different.

Tom spent years learning to shred but eventually realised that being technically amazing doesn't always get you very far. He had this realisation when he saw awesome guitar players shredding away in front of tiny crowds on his college lawn. So instead of blazing away to no one he made his guitar sound like a sampler and turntables and neded up filling arenas. I think that is brilliant advice.

ON RAGE AGAINST THE MACHINE

@tmorello: "@drguycrain: Clearly RATM songs advocate protest. Do they advocate violent protest?" Have you HEARD them?!

@tmorello: "@Mitch3GP: why no back up vocals w/ RATM?" Listening to RATM ur really thinkin' "Man, these jams could really use some back up vocals"?!

@tmorello: "@JimmyCarlson9: How many times a day do people ask you about a RATM reunion or new album?" Not enough! Please oh please keep asking

@tmorello: "@whateverdude88: any chances of a #RATM reunion for a tour or new album anything?" Sigh. Would be delighted w/any but not holding my breath

@tmorello: "@MeatballMurgidi: who would be your dream drummer (dead or alive) to play with??" Brad Wilk. And he's alive!

It's obvious he wants to get Rage to record another album and start playing regularly again, but that their have been quite a few issues preventing that from happening. I'd imagine that frontman Zach De La Rocha is probably the one holding it all up. He seems quite content to leave Rage where it is and spend time in the jungle hanging out with ancient tribes and stuff. Power to him I suppose. I don't even know if it'd be a good idea for them to make another album but I can tell it hurts Tom that it hasn't happened so it makes me a bit sad.

GENERAL AWESOMENESS

@tmorello: "@koopakoot: I used to tell people you were my dad when I was in 5th grade. (2001)" it's possible

@tmorello: "@ChrisLoesch: Was horrified at @tmorello's terrible whammy pedal & string scratch "soloing" - one trick commie" Thnx! I AIM for horrifying!

@tmorello: "@jamesecreed: In one word...what's is like playing with @springsteen?" BADASS

Most of the creative people that I respect aren't just good at something, they can also explain why and how they do it. Tom Morello is an excellent example of this. There is a lot for creative people to learn from those who choose to think outside the box in the name of reinventing their chosen art form. Tom's riffs, solos and words continue to inspire me to this day.